Dirt & diamonds, scents & sounds…….the Bideford Black Next Generation exhibition offers a fresh perspective on this enduring material. These artists have created distinctive new works for future generations to enjoy. If you haven’t already done so, catch the film trailer here.
The full film will be shown in the gallery, sharing a record of the artists research, a privileged glimpse of how artists work.
Bideford Black:
The Next Generation
Burton Art Gallery
and Museum
2pm on 3rd October – runs until 13 November
© Tabatha
Andrews: Sketch for
Sedimentary Drawing 2015 (detail): A4 paper and Bideford Black
Expect to see, hear, touch, smell something different – videos, sounds,
scents, sculptures, cosmetics and witty feminist poetry about Bideford Black
This exhibition at the Burton gallery provides a surprising take on a traditional
material. Eleven artists and a film-maker have created new artworks using this
unique black coal - and some of the works will join the gallery’s permanent collection
for future generations to explore, providing a legacy for the art of today.
Valued for its silky texture and pitch black hue, Bideford Black pigment
has historically been used by artists, industries and the military. In next
month’s exhibition, a new generation of artists and users ask questions about
past and present uses of this dark resource.
Bideford Black:
The Next Generation presents a range of sensory, physical, emotional and abstract encounters with
Bideford Black pigment – a dark, sticky substance found in the North Devon
landscape. The exhibition is the culmination of a year of exploring and making – a
year in which the artists and film-maker pushed Bideford Black to its physical
limits and thought about what the material might mean today.
For the first time ever, The Burton has specially commissioned the
artworks for Bideford Black: The Next
Generation, and many of the works will become a new permanent part of the
gallery’s collection.
A taste of what is being shown:
· ATOI – a large triptych featuring traces of a
Mixed Martial Arts fight with Bideford Black pigment and a synthetic diamond
made from Bideford Black
· Tabatha Andrews – a large, textural wall assemblage made
from cast paper forms made with Bideford Black
· Luce Choules – a shifting installation of documentary
photographs of the geology of Greencliff
· Corinne Felgate – a fossil-like wall-based installation and
a prototype Bideford Black mascara
· Neville and Joan Gabie and Prof Ian Cook – a poetic,
five-screen film installation, a shared sketchbook and found objects
· LittleWhitehead – a puzzling sound work resulting from the
artists’ experiments with LP records made from Bideford Black
· Lizzie Ridout – Printed publications and exquisite tonal
works based on the artists’ research into The Burton’s collections
· Sam Treadaway – A scent-based work evoking the
prehistoric plant-based origins of Bideford Black.
A documentary film – previewing exclusively at the exhibition – captures
the nine artists as they experiment with Bideford Black pigment and make their
artworks. Made over the course of a year by creative film-maker Liberty Smith, the film offers a unique
and beautiful record of these 21st century encounters with Bideford Black
pigment. Liberty went to school in North Devon, close to where Bideford Black
is found in its raw state.
The project is also on social media:
Twitter: @burtonartgaller #Bidefordblack
Warren Collum, Exhibitions and Collections Officer
said: “Bideford Black: The Next
Generation is all about linking the industrial heritage of Bideford and its
local pigment with contemporary artists’ research and ideas. This exhibition
will confound audiences’ expectations about what this black earth pigment can
do. It’s almost as if we’d been working with a group of alchemists, scientists
and magicians for a year!”
Carolyn Black of Flow Contemporary Arts,
who co-produced the project with arts consultant Claire Gulliver, said: “Since
that first day in 2014 when we met all of the artists and viewed the seam
together, until this launch, we’ve been fascinated by how the artists ideas
have evolved from the first expressions of interest. Biddiblack, as locally
known, really has been stretched to its limits. We’re delighted that many of
these artworks will be joining the Burton’s collection permanently.
Phil Gibby, Area Director, South West, Arts Council England,
said: “This is an exciting exhibition of work by some outstanding artists and
with a very special local connection. In the south west we’re justly proud of
both our artists and our local heritage; this project brings both sides
together in a new and surprising way and I’m delighted that we’re supporting
it.”
Venue Contact Details:
THE BURTON ART GALLERY & MUSEUM, Kingsley Road, Bideford EX39 2QQ
(e) burtonartgallery@torridge.gov.uk (t) 01237 471455 (w) www.burtonartgallery.co.uk
THE BURTON ART GALLERY & MUSEUM, Kingsley Road, Bideford EX39 2QQ
(e) burtonartgallery@torridge.gov.uk (t) 01237 471455 (w) www.burtonartgallery.co.uk
Opens 2pm on 3
October – runs until 13 November
Opening Hours:
Monday - Saturday,
10am - 4pm.
Sunday 10.30am -
4pm.
Associated Events:
Talk and Tour, 3 October, 2pm
Carolyn Black, Claire Gulliver, Project Managers and Warren Collum, Exhibition and Collections Officer, opens the exhibition with an informal talk at the Preview.
Monotyping using Bideford Black with Grizel Luttman-Johnson
Saturday 24 October 10am-4pm
Making one-off prints by drawing on paper laid over plates inked with Bideford Black pigment in an oil based medium.
