North Devon Maritime Museum (http://www.northdevonmaritimemuseum.co.uk/)
have kindly pointed us in the direction of this excellent book by Geologist Richard
A Edwards that they helped with the research for, along with other local
experts. The publication has an informative and well-illustrated chapter
devoted to Bideford Black, focusing on the geology and history of coal and pigment mining in North Devon from the earliest records in late 17th Century until the mines' closure in the 1969. It was published by Halsgrove
Press in 2010.
test
This project has been developed by The Burton Art Gallery & Museum, with thanks to Torridge District Council and The Friends of The Burton
Monday, 11 March 2013
Bideford Black Pigments Ltd (It was never just "Bideford Black") and of course "Paint Mines" was just a local name…
Last week Jenny
Shepherd, one of the last secretaries to work at the Bideford Black ‘Paint
Mines’, contacted us. She has kindly shared some of her memories …
“What I can remember:
I joined with my friend as a fully qualified secretary from the
then North Devon College in 1960/61. We did all duties from filing to
Balance Sheet, trial balance, wages, invoices, correspondence, reception and
everything in between. My friend remembers that we had to ask for the
'phone numbers we required as there were no dialling facilities.
Chapel Park Processing Plant Door (P Ward 2010)
The office was a very old nissen hut with a wooden floor which
had subsided so much on each side that there was a large open space (if memory
serves correctly it was about 9" across) running the length of the room
where the boards had come apart and from where the dust permeated.
Although It was extremely cold and dirty there was a very inefficient and
antiquated cast iron, wood-burning stove that we were allowed to use when our
fingers turned white and got too cold to type. In fact, everything was
antiquated and damp. The whole thing was situated in the middle of a wood
at the end of Mines Road which was then just a country lane. We were not
allowed to see either the mine or the sawmills although we were promised to
have a conducted tour. Unfortunately it didn't happen. When we got home
we had to scrub our faces with a nail brush and soap to remove the waterproof
dust although it was not so apparent on us as it was on the miners' faces and
hands. I don't think there were any washing facilities for the men but
cannot be certain. We worked for Howard St Louis Cooke who was an
accountant as well as (I think) a mining authority and certainly Victorian in
his work ethic (and in other ways too which are better forgotten)! He
tried to be a divisive employer but luckily my friend and I remain close to
this day. The names which we can remember are Mr Wally Mugford (mining
foreman), Mr Arthur who was possibly in charge of the sawmill and a Martin
Pascoe. The first has been deceased for a large number of years as I
suspect has the second. Mr Pascoe was much younger than them but older
than we were. Mr Mugford and Mr Arthur treated us very kindly. I
believe Mr Pascoe later became a private detective. There may also have
been a Mr Dymond.
‘Biddiblack’ and ‘Jetablack’ were mined and processed into
powder at that time. I understand in the beginning these dyes were used
to colour the black pointing between the bricks of Victorian buildings but that
subsequently the main monies were made during the war when it was used for
camouflage purposes. I also understood that it might have been used later
in the production of makeup.
There was also a sawmill business which, in those days, was
relatively new.
We were advised that the mines travelled beyond Weare Giffard
towards Torrington and possibly beyond but I do not know if or how they would
have been filled in. Mr Cooke owned many detailed maps. I know,
just on one occasion, when we were returning home from work there was a most
eerie sound which sounded like the then popular theme music of the TV programme
Quatermass. We had never run so fast in our lives. We believe it
was just the angle of the wind through trees and over one of the shafts but it
terrified us at the time!
Rather different circumstances than today's!
Kind
regards
Jenny
Shepherd “
Chapel Park Processing Plant Site (P Ward 2010)
Many thanks to Jenny, and we look
forward to any other details she might recall…
we need your stories!
Our poster to publicise the SHOW & TELL day at the Burton on the 20th March, form 1100 to 330...
We look forward to seeing you there.
Friday, 1 March 2013
Mystery Photos
We were recently shown these two photos from the www.northam-devon.co.uk website - one a view from the old paint mines across to Cleave in Northam, the other a painting of a donkey on a shed very near the mines using black paint, possibly Bideford Black itself ( lets hope so, the image is fantastic)...
However, as yet we haven’t found their source or any verification of the nature of the donkey painting - there is no accreditation on the www.northam-devon.co.uk website or any means of contacting the authors. If anyone has any information regarding the source of these photographs we would really appreciate it so that full credit and even copyright information may be given and the possibility of using them in future publications may be possible.
Many Thanks :-)
Cleave from behind mine at Bideford (from www.northam-devon.co.uk)
Northam Donkey House (from www.northam-devon.co.uk)
Many Thanks :-)
Friday, 22 February 2013
A SONG OF BIDEFORD BLACK by John Purser
‘The Tale of Bideford Black’, a song written
by local musician John Purser, has been kindly sent to us as a lively addition
to our archive with a short explanation of how he came to write it. It is
exactly this kind of original and diverse response to our local history that
will make this project such a genuine and personal archive of our local
community. Enjoy…

“Basically the song started with the
account of anthracite mining in "The Book of Bideford" by Peter
Christie and Alison Grant - my late mother-in-law, who lived in Bideford had a
copy. I was intrigued by the thought of mining paint and caught
out one or two geography teachers where I taught in Hertfordshire.
On moving to Barnstaple I became an
active member of Bideford folk club and many local singer-songwriters became
friends. This inspired me to start writing. "Bideford Black"
was the first song I wrote (in 2003). I am not a prolific writer – my latest
song "Bideford Witches" emerged last year after about three years in
the writing.”
Many thanks John :-)
Tuesday, 19 February 2013
Message from Australia
In 2011 local artist Pete Ward exchanged an amount of Bideford Black for some Australian earth pigments with visiting Aboriginal Elder Noel Butler. Noel and his nephew have since used the pigment to paint their bodies for ceremonial and public performances in New South Wales. On hearing about the 'Story of Bideford Black' Project Noel sent this message about his experiences of using Bideford Black...
'In our Culture as Aboriginal Australians we paint the colours of the Earth on our bodies in patterns and markings representing symbols of spiritual connections to the land. This also gives us a connection and an identification with our land.
Upon meeting Pete Ward, and his connection with Bideford Black and his understanding of the connectedness with the soil from his land, we have a spiritual communication and tie that is not understood by many non-indigenous people. This is capable of everyone to have a sense of belonging to the earth.'
Noel Butler
Aboriginal Elder
South Coast NSW
Narooma Noel & Phil, New South Wales (image courtesy Trish Roberts 2012)
Many thanks to Noel, Phil and Trish for sharing their story.
Labels:
Aboriginal Australian,
Art,
Biddiblack,
Bideford,
Bideford Black,
Burton Art Gallery,
Burton art Gallery and Museum,
Burton Gallery,
Earth Pigments,
Geology,
History,
Noel Butler,
North Devon,
Painting
Friday, 15 February 2013
Announcing our project and funders
We are delighted that the Bideford Black project is now up and running and are thrilled to announce and acknowledge our funders:
A Heritage Lottery Fund 'All our Stories' grant and The Friends of the Burton.
We sent a press release to that effect and you can see it here on the North Devon Gazette's website
and here at the North Devon Journal's website
A Heritage Lottery Fund 'All our Stories' grant and The Friends of the Burton.
We sent a press release to that effect and you can see it here on the North Devon Gazette's website
and here at the North Devon Journal's website
Bideford Black Miners 1935 (courtesy Ackland and Edwards Archive)
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